First, about those pesky pirates that everyone is so up in arms about, and yet simultaneously enthralled by because, after all, who didn't enjoy Pirates of the Caribbean? Somehow the romantic, comical cartoon vision of pirates doesn't quite fit with the terrifying lawlessness and grinding poverty afflicting the tragic non-nation of Somalia, the world's number 1 basket case country. And yet no journalist seems to be able to avoid the temptation of juxtaposing the two in some way.
For me, easily the most enlightening and useful piece on the whole matter, is the testimonial of a young pirate as relayed to the BBC: Why I became a pirate
This seems to be the real tragedy. We're astounded at the numbers of those braving the dangerous seas in ridiculous boats en route to Europe, from Africa. The reaction of the Southern European countries seems to be to either watch them drown or just send them back home again. The journey is perilous and often fatal, and those on the other side could scarcely be less welcoming. Given the choice, any choice, what would you do?
Next, a quick plug for the Big Think - a website I've just discovered that is at once fantastic and frightening (because it seems to eliminate the need for newspapers entirely - now you can also get your dose of opinion/editorials as well as straighforward news online). I especially enjoy watching David Rieff being all disgruntled and armchair-intellectualy on a downer about Obama.
Last weekend I was at the Far East Film Festival in Udine, something I initally resisted on the grounds that "I don't like martial arts". But I have to say I was pleasantly surprised. Although on the surface the whole thing appeared quite pretentious, in a way that the African Film festival wasn't (I imagine because the far-east has a more extensive and distinctive tradition of film-making, which many of the people there seemed to be intimidatingly familiar
with). But the films themselves were really enjoyable (not so much harrowing ordeals as in Milan, mainly because these were "popular" films, with hearthrob actors and mega-budgets). We saw a rather OTT Hong Kong action thriller and 4 japanese films, which were full of wonderful quirky moments and characters, indicating the Japanese appreciate and understand far better the eccentricities of their own people than we do (like the penchant of japanese girls for "cute" things and the almost excessive politeness of the older generation especially) and manage to use that aspect to comic effect excellently. Instant Swamp (left) deserves a special mention, because I seldom laugh out loud at films, especially at visual jokes, I'm generally much more tickled by word-play and delivery, but this film had moments of genuinely hilarious brilliance. I also learnt the valuable fact that there are some incredibly, achingly beautiful Far-eastern men being most considerately cast by the film-makers out there, such as Mizushima Hiro (below). And I didn't come home empty-handed either, but with 3 japanese horror films as a consolation for missing "Horror day". Mmhmm.
Last thing, I read an article in a certain former broadsheet newspaper last week, essentially criticising the latest media campaign by the charity Women's Aid, which shows Kiera Knightley being beaten up by her boyfriend. Yeah ok, maybe a campaign showing Brad Pitt doing the beating would have been an original twist, but picking on them seems a bit rich, all the same. For me, this one does the job, as in - I'd already read about its precise contents before seeing it and it still managed to give me a good shake. Below it you can catch up on the debate about whether or not, as some devil's advocates claim, Violence against women is a social invention, a phenomenon that has been constructed and detracts attention from the real problem of violence in general. Maybe. I'll have to go away and think about that one.
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